Designers and developers of homes in London and Bath.

A family tradition of designing and creating homes for modern enjoyment.

Our Story

Heritage, made livable.

Heritage isn't just about the past. It's about making the past livable for the future.

Three generations of building knowledge sit behind Flower & Co. We work with Victorian, Georgian and Regency properties — understanding how they were built, adapting them to the way people live today, and restoring what makes them worth keeping.

Each project draws on two complementary disciplines: the structural side of restoration, understanding the fabric of an old building and making the decisions nobody sees but everyone feels; and an eye for design that brings a contemporary sensibility to the rooms, the materials, and the lived-in feel of a period home.

The result is homes for modern families. Selected projects have been used as locations for magazines and commercial shoots and have also appeared on Channel 4's Love It, Or List It.

Flower & Co. — built on heritage, designed for life.

Selected Work

A small body of work, looked after carefully.

Coleraine Road

Blackheath

Acquired as two flats — two generations of the same family had lived in them for 60 years.

Well-built by Victorian craftsmen in 1890 but ruined by a sequence of low-cost extensions. The house was peeled back to its core, rebuilt, and restored into a single magnificent home. Over 5,000 sq ft of accommodation, blending modern open-plan living at the rear with large formal lounges to the front. To maximise the views of the city and the sunsets, a roof terrace was installed with 180-degree views of London. From Big Ben to the Olympic Park.

Roof terrace at dusk, the garden lit below and Canary Wharf and the City of London glowing on the horizon.

View through Crittall doors to the roof terrace, a fiery red London sunset and city skyline beyond.

The garden at Coleraine Road, lush lawn and topiary, with a dramatic orange sunset blazing over Canary Wharf.

Navy shaker kitchen island with chrome cup handles and herringbone oak floor, open to the garden through the glazed extension.

Open-plan living space with herringbone oak floor, exposed Victorian brick and Maxlight sliding doors open to the garden at sunset.

Dramatic blood-red sky at dusk over the London skyline, viewed from Coleraine Road.

Stone terrace steps flanked by mature olive trees, the striped lawn rising towards the London skyline.

The rear elevation at night: glazed extension lit warmly within, olive trees uplighted, moonlit sky above.

Roof terrace seating at dusk, London city lights beginning to emerge on the horizon below a deep blue sky.

Chevening Road

Greenwich

A Victorian terrace modernised top to bottom — a full-width rear extension and a loft conversion opened the house to the park views behind, a quiet oasis in Zone 2. Shaker kitchen hand-built by Russell Blake London. The finished house featured on Channel 4's Love It or List It.

Grey shaker kitchen with marble worktop, farmhouse sink, exposed brick wall, industrial pendants and bifold doors open to the garden.

Front reception room with period fireplace, arched mirror, alcove bookshelves and a plaid wing chair.

Master bedroom with Victorian bay window, period fireplace, fitted wardrobes and floral roman blinds.

Walled rear garden with lawn, raised timber planters, planted borders and a grey painted garden room.

Loft conversion bedroom with bifold doors open to a Juliet balcony overlooking the garden.

Royal Hill

Greenwich

A period Greenwich cottage, which was originally the blacksmith's cottage. Restored with no expense spared.

New electrics and heating throughout, a small rear kitchen extension with Carrara marble worktops, brushed brass and a navy shaker kitchen. New double-glazed sash windows, stippled floors, and bespoke plaster coving reinstated. A total restoration to an amazing city escape.

Sage green panelled bedroom with black upholstered headboard, white bedding, wall sconces and period cornice.

A Carrara-marble bathroom with subway tiles, a frameless walk-in shower and brushed brass fittings.

A solid Carrara marble wall-hung basin with a brushed brass spout.

A sitting room with a sage green velvet sofa, brass floor lamp, period fireplace and restored pine boards.

A restored black cast-iron column radiator against a pale blue panelled wall.

Service

Development & renovation, end to end.

A complete tailored service on private homes — from finding the right property to handing over the finished, interior-designed home.

Twenty-five years of buying in London, and more recently in Bath, has given us strong agent relationships across both markets. When clients don't yet have a property, we can often find one — including off-market introductions.

From there, planning, design and build are all handled in-house, working with trusted local engineers, planning consultants and building control teams. Fewer handoffs, better results.

Process

Seeing it first.

AI visualisation, used early, saves clients time, money, and mid-build regret.

Renovation budgets disappear quickest at the start, when ideas are abstract and a decision feels low-stakes. We use AI visualisation to compress that phase. Before a single architectural drawing is commissioned, a client can see three or four directions for the property — a new portico, a reroofing option, an extension in Cotswold stone or black-framed glass — rendered in a hand-drawn watercolour style sympathetic to the original building.

The benefit is confidence. Clients commit having seen the alternatives, not just the recommendation. Planners react faster to something they can see. Architects pick up a brief that's already been pressure-tested.

The tool sits inside a process that hasn't changed in three generations: spend the right time at the start, and the build runs cleanly.

A concept board, in practice

For the Bath project, construction-stage photographs, finished references from earlier work, and AI-generated visualisations sit side by side. Something a client or a planner can react to in minutes, before a single line is committed to paper.